rocklander wrote:insert marc hunter joke...Gelato wrote:Might see you there, if band practice doesn't drag on...borge wrote:Off to Napier now, playing with Mountaineater and left or right tonight
we need Haylar tabs
Moderator: Capt. Black
rocklander wrote:insert marc hunter joke...Gelato wrote:Might see you there, if band practice doesn't drag on...borge wrote:Off to Napier now, playing with Mountaineater and left or right tonight
Well IME that's about as successful as ignoring the tonal centre and naming it from the key sig.foal30 wrote: yeah wiki, no I don't want to know thanks . I can understand the language but I don't actually know or have formed an opinion. For instance, in the good old days the key was invariably the first chord or starting note of the tune
Yes they share the same key sig,but the tonal centre determines which is the key.If Sammy D is reading any of this look at how different listeners have a different concept of naming the shit. In particular DS, we have the same three chords, but calling it either G maj or E minor
If you know your diatonic harmony you know either key covers both sets of scales/chords
I don't think quoting 5 modes for a 10 second functional, (not modal) diatonic (bar a single chord tone) progression is anything but confusingRog
yeah it is easy because it is the same notes but from a different starting point
I don't think it's confusing at all and think it is exactly the same as Borge indicating "play C minor pentatonic"
all you do is think of starting points relative to that chord
it's harmonic generalization really
Key sig is Eb maj/CmI can't think (or play) fast enough to deal with all these chords but I know they all come from Ab major.
so if I stay within Ab major regardless of what the actual chord being played is, I at least are playing 'in'.
I wouldn't equate chromatics to interesting, I think any 'outside' playing would only detract from this songwhilst this obviously will not do for a career in being interesting it is IMO a very good way to get basic theory and basic improvisation tied in and under way.