2ndslash-ed wrote:Nooo don't axe the clean solo, that was very cool.TBB Flamey wrote:Yeah the clean solo seemed like a good idea at the time, sounded better then I thought it would which is why I kept it. Funnily enough even with the hihat clicks at the start I did go out of time a bit, delayed reaction. I was too lazy to redo it perfectly thoughbluesgeek wrote:Cool, reminded me of something I've been listening too lately but can't put my finger on it...
Anyway, my 2 cents worth
Lose the hihat click in the quiet bits, it makes you look like you're trying to keep time - you don't need it When you get a real drummer in there you could lose it completely or he could just do a bit of flim-flam every now and then
I love the distorted solo tone but I reckon you could carry on with that tone again and lose the clean one... that clean tone is streets behind the overdriven Well played mate, the makings of a classic song there with a great solo
I wish my amp had more gain, the feedback was taking a bit long to kick in, that's why all the notes are sustained so long, I stood there making the note sing kinda 'willing' the amp to start feedbacking Though it does sound pretty good as it is
I'll lay down some lyrics for yall as soon as I have the house all to myself, i'm sure you fellow recorders will know what I mean I hope my voice doesn't ruin it
cheers for the feedback
Emotional Wreck
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