I reckon the Graham Coxon signature tele would be the best Blur guitar. I couldn't really imagine him playing a blue super strat like in your picture.willow13 wrote:This is easily the best blur guitar I have ever seen ... if I had the $$ I would buy it in a second
The Blue Gear Thread
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- kdawg2a
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Re: The Blue Gear Thread
1935 Martin D-45, 1942 Gibson Southern Jumbo,1950 Fender Broadcaster, 1954 Fender Strat, 1958 Gibson Moderne prototype, 1959 Gibson Les Paul Standard.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
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Re: The Blue Gear Thread
fixed nowkdawg2a wrote:I reckon the Graham Coxon signature tele would be the best Blur guitar. I couldn't really imagine him playing a blue super strat like in your picture.willow13 wrote:This is easily the best blur guitar I have ever seen ... if I had the $$ I would buy it in a second
If Less is More Then Just Think How Much More More would be
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Re: The Blue Gear Thread
Cheeky cnut aren't I?
1935 Martin D-45, 1942 Gibson Southern Jumbo,1950 Fender Broadcaster, 1954 Fender Strat, 1958 Gibson Moderne prototype, 1959 Gibson Les Paul Standard.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
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Re: The Blue Gear Thread
Very large body.KNNZ wrote:is that a guitar? ^
the neck looks rather short...
Beyond a critical point within a finite space, freedom diminishes as numbers increase. This is as true of humans as it is of gas molecules in a sealed flask. The human question is not how many can possibly survive within the system, but what kind of existence is possible for those who so survive.
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Re: The Blue Gear Thread
big boned?Slowy wrote:Very large body.KNNZ wrote:is that a guitar? ^
the neck looks rather short...
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Re: The Blue Gear Thread
I was thinking something similar about violins, watching auckland philharmonia on Friday night. But the violinists didn't seem to struggle.willow13 wrote:not sure why they would put all those frets on there..zero upper access to themSlowy wrote:/thread
So, is that low alcohol or no alcohol at all? mmmm, no alcohol, do you want to try it? Noooooooooo.
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Re: The Blue Gear Thread
Yeah, had a cheeky thought to Willow's comment, "No access problem if you can actually play". Have seen a visiting English Folkie playing entire instrumental tunes above the 12th fret on an ancient Martin 000-28.Bg wrote:I was thinking something similar about violins, watching auckland philharmonia on Friday night. But the violinists didn't seem to struggle.willow13 wrote:not sure why they would put all those frets on there..zero upper access to themSlowy wrote:/thread
Beyond a critical point within a finite space, freedom diminishes as numbers increase. This is as true of humans as it is of gas molecules in a sealed flask. The human question is not how many can possibly survive within the system, but what kind of existence is possible for those who so survive.
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Re: The Blue Gear Thread
I mean no frets, obviously, but with half of the fretboard after the neck joint....Slowy wrote:Yeah, had a cheeky thought to Willow's comment, "No access problem if you can actually play". Have seen a visiting English Folkie playing entire instrumental tunes above the 12th fret on an ancient Martin 000-28.Bg wrote:I was thinking something similar about violins, watching auckland philharmonia on Friday night. But the violinists didn't seem to struggle.willow13 wrote:
not sure why they would put all those frets on there..zero upper access to them
So, is that low alcohol or no alcohol at all? mmmm, no alcohol, do you want to try it? Noooooooooo.
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Re: The Blue Gear Thread
kind of helps having it up by your chin there though, you can support the violin under your chin so that frees up the thumb some what (I play a little violin..very badly). Would you like to see guitarists having it the high?Bg wrote: I was thinking something similar about violins, watching auckland philharmonia on Friday night. But the violinists didn't seem to struggle.
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Re: The Blue Gear Thread
jazz guitaristswillow13 wrote:kind of helps having it up by your chin there though, you can support the violin under your chin so that frees up the thumb some what (I play a little violin..very badly). Would you like to see guitarists having it the high?Bg wrote: I was thinking something similar about violins, watching auckland philharmonia on Friday night. But the violinists didn't seem to struggle.
So, is that low alcohol or no alcohol at all? mmmm, no alcohol, do you want to try it? Noooooooooo.
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Re: The Blue Gear Thread
and a lot of guys on here judging by the gearfest photosBg wrote:]
jazz guitarists
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Re: The Blue Gear Thread
This is all the blue awesomeness you'll ever need.
1935 Martin D-45, 1942 Gibson Southern Jumbo,1950 Fender Broadcaster, 1954 Fender Strat, 1958 Gibson Moderne prototype, 1959 Gibson Les Paul Standard.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
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Re: The Blue Gear Thread
Beyond a critical point within a finite space, freedom diminishes as numbers increase. This is as true of humans as it is of gas molecules in a sealed flask. The human question is not how many can possibly survive within the system, but what kind of existence is possible for those who so survive.
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Re: The Blue Gear Thread
werdna wrote:Well at least I can still make toast in the bath without anyone telling me it's unsafe.