mr_sooty wrote:Wow, that's cool. I'm not really an Ibanez/Floyd Rode kinda guy anymore, but I was once. The one with the faces and the chrome one were my dream guitrars when I was 15. The white one at the front is cool too, same as the Not Of This Earth cover right? (I'm going from 17 year old memories here). Nice man.
Yep, the 540P is from the Not of this Earth Album re release cover, and also seen in lots of SWTA promo shots and the Satch Boogie Video... interestingly though, it was never used in the recording of either of the first 2 albums... it was more the first step along the Ibanez endorsement road
Yeah, I used to have that catalogue with that second pick, or at least one just like it. I had that long skinny catalogue, around 1990 ish. I really lusted after those guitars. More of a Strat guy nowadays.
Jenesis wrote:The JS1's reflection on the Chromeboy in the first pic - is that the guitar equivalent of an upskirt?
FTW!
Some Bozo wrote:dogs represent the qualities we like to see in a friend, and cats represent the qualites we'd like to be able to get away with in ourselves
crushing day wrote:Ash refinished the 540P and created the Donnie .. The Donnie is made up of an original JS1 neck, JS100 body, Edge Trem and 2 early DP151 PAF Pro Pickups
Did ash paint it himself or does he know someone who does custom paintjobs?
Kristie_Amperzahn: Did I mention I'm a big dumb doo-doo-head? Because I am. A totaly smeg for brains no good doo doo headed git.
That family pic warms the sub-cockles of my heart and loins If you need anyone to change the strings on those on a regular basis, I am available. Be aware that a string change could take severals days per guitar though...
@ash lol/RT "@ChelseaVPeretti Had fun in the Cinema Tent tonight w @adultswim @robcorddry #bonnaroo #fonz #hottubtimemachineintonationjokes #childrenshospital #mud #pee" //by @Jenesis
My bad
If you need anyone to change the strings on those on a regular basis, I am available. Be aware that a string change could take severals days per guitar though... 
