Why do most amp manufacturers mount the valves pointing down
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- Rog
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Why do most amp manufacturers mount the valves pointing down
I mean, this seems to go against at least two common-sense design criteria.
Firstly - there is a constant gravitational force trying to pull them out of their sockets - compounded by vibration when playing which is also trying to loosen the socket's hold on them.
Secondly - as heat rises and as thermionic valves are a heat producer in operation, or even when quiescent, why mount the bottles so that most of the heat is directed exactly where it would be best to keep it cool? The base of the valve is its most fragile part and heat/cool cycles do not do nice things to sliding connections.
I know there are exceptions to this rule - and I realise that having the controls at the top of the amp makes it difficult to do otherwise, but damn!
Firstly - there is a constant gravitational force trying to pull them out of their sockets - compounded by vibration when playing which is also trying to loosen the socket's hold on them.
Secondly - as heat rises and as thermionic valves are a heat producer in operation, or even when quiescent, why mount the bottles so that most of the heat is directed exactly where it would be best to keep it cool? The base of the valve is its most fragile part and heat/cool cycles do not do nice things to sliding connections.
I know there are exceptions to this rule - and I realise that having the controls at the top of the amp makes it difficult to do otherwise, but damn!
He hit a chord that rocked the spinet and disappeared into the infinite ...
There's far better airflow there. If you have them horizontal (with top-rear mounted controls), the heat would build up in the area between the baffle, top of the cabinet, and the chassis at the rear. In many cases, this may also leave inadequate room to mount the bulky transformers.
"Under the monsters claws and in between his teeth
Was the shadow and a silhouette of what I thought I’d be
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- Guster
Was the shadow and a silhouette of what I thought I’d be
I don’t mind falling down and scraping up my knees
Scars and Stitches always fade and only strengthen me."
- Guster
- GrantB
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Dr Rog - i too have pondered that question. I'd say that the design elements for a combo mean they need to have the controls on top so access, and the pots and switches should be as close to the PC board, or chassis as possible. I have two amps that shun this however. The Trace Elliot Velocette is a comba and has the valves at the bottom along with of the knobs n stuff at the back. This thing gets so hot its helping peel the vynyl covering off...BUT, it would be way hotter if it were upside down! The other amp is the Sovtek Mig Fighter Jet 50 which is really a Fender Bassman in Russian spy costume - that is a head though and can easily have the guts facing upwards because the way heads are used (on stacks)...anyway, intersting thought.
I say simply set your "fav" settings, turn your combo upside down (knobs against the floor) and begin reaping the massive benefits of a slightly cooler valve amp
I say simply set your "fav" settings, turn your combo upside down (knobs against the floor) and begin reaping the massive benefits of a slightly cooler valve amp
"Man is the most insane species. He worships an invisible god and destroys a visible nature. Unaware that this nature he's destroying is this god he's worshipping." - Hubert Reeves
I allways understood this upisde-down valve design was for servicing - you can undo the holding bolts/screws then slide the chassis half out on the slides, reach all the controls, most of the 'innards' and the valves for measurements/repair.
Mind you it's probably really because amp makers are truly bastards/swines etc. but there you go.
Mind you it's probably really because amp makers are truly bastards/swines etc. but there you go.
You can't do THAT on stage!
- Rog
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As far as servicing - I had a Jansen Bassman 50 with point to point wiring. I was servicing it and pulled the chassis out - unfortunately, the hot rail was about 3/4 of an inch behind the front panel - just enough so that one got a good grip on the rail with the meat of one's hand nicely earthed on the chassis... bastards!!!
He hit a chord that rocked the spinet and disappeared into the infinite ...
- Bg
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- GrantB
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Oh yeah - actually caps can kill ya...if you've a dodgy heart. I have had wicked cap belt when playing the aforementioned Sovtek Mig. Fackin near pooed me pants...
"Man is the most insane species. He worships an invisible god and destroys a visible nature. Unaware that this nature he's destroying is this god he's worshipping." - Hubert Reeves
- ash
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I think I still have a scar on my hand from 600 Volts of Jansen Juice!! The amp was unplugged and I touched the cap as I was tearing the guts out of it to rebuild it as a Marshall clone.
I was quite confused for a while there, trying to work out what just happened
Ended up being a wicked sounding amp...
I was quite confused for a while there, trying to work out what just happened
Ended up being a wicked sounding amp...
http://ashcustomworks.com for custom built electric guitars hand made in new zealand
- ash
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Anyway, back to the question...
The reasons have been mostly covered: You need to have the knobs at the top of a combo, so its easiest to have the tube pointing down from the chassis, even if you have to fit retainers to stop them vibrating out.
Marshall just turned the whole get-up upside down in his early heads, even having the inputs on the other side too. This makes sense when the head is going to be on top of two cabs - the knobs will be at the right height anyway.
Plus you don't have to do some balancing act to slide the chassis into place.
The reason you can't really put the knobs at the top and the valves at the bottom is because then you'd need three sheilded wires for each control carrying up to 400 Volts back and forth along the sides of the cab.
If thats not an invitation for death by beer spillage, then it will at least hum like a two-buck-slut....
The reasons have been mostly covered: You need to have the knobs at the top of a combo, so its easiest to have the tube pointing down from the chassis, even if you have to fit retainers to stop them vibrating out.
Marshall just turned the whole get-up upside down in his early heads, even having the inputs on the other side too. This makes sense when the head is going to be on top of two cabs - the knobs will be at the right height anyway.
Plus you don't have to do some balancing act to slide the chassis into place.
The reason you can't really put the knobs at the top and the valves at the bottom is because then you'd need three sheilded wires for each control carrying up to 400 Volts back and forth along the sides of the cab.
If thats not an invitation for death by beer spillage, then it will at least hum like a two-buck-slut....
http://ashcustomworks.com for custom built electric guitars hand made in new zealand