Hot_Grits wrote:That is one high quality all-nz-made rig!
Dare ya to grab some red witch and G2D and put a full board together...
oooh
Sounds expensive. I used to have a G2D Classic on the board, but it was quite "thin" sounding, for want of a better word, compared to the Hotcake.... I have played on a couple of Red Witch pedals which I could defintely waste some dollars on, but my gear only gets used for playing covers at parties, so the M13 covers all the ground I need well enough.
Will have to make filling up the rest of the Kiwi-made board a long term project.
"Man is the most insane species. He worships an invisible god and destroys a visible nature. Unaware that this nature he's destroying is this god he's worshipping." - Hubert Reeves
jimi wrote: I used to have a G2D Classic on the board, but it was quite "thin" sounding, for want of a better word, compared to the Hotcake.
Try a Custom if you want a thicker sound. The G2D Custom is one of my favourite drive pedals ever, even though I choose to use the Classic currently. I like the raw tone of the Classic and it worls well in tandem with my Bluesbreaker clone, but if I could ony have one drive pedal it'd probably be the Custom.
jimi wrote: I used to have a G2D Classic on the board, but it was quite "thin" sounding, for want of a better word, compared to the Hotcake.
Try a Custom if you want a thicker sound. The G2D Custom is one of my favourite drive pedals ever, even though I choose to use the Classic currently. I like the raw tone of the Classic and it worls well in tandem with my Bluesbreaker clone, but if I could ony have one drive pedal it'd probably be the Custom.
I was quite proud to be involved with part of the evolution of the Custom OD. Years ago I had been enjoying playing my G2D classic and wanted the Custom as a complementary pedal. Pretty much using the Classic for rhythm and the Custom for lead. At the time the tone knob on the Custom was a sort of mid-contour control which I didn't find very useful, so I requested they build me a Custom with a fixed mid, then more of a "treble cut" control instead, to dial in either a smooth tone, or something with more cut. After they built my pedal, they decided they really dug it.....and that then became the "new tone circuit" version of the G2D Custom OD. As far as I understand it is still the same today!
"Volume is tone" - EVH
Electrics: ESP/Fender/Gibson/.strandberg*/Godin/Washburn/Music Man/Knaggs/Squier/Vintage
Acoustic: Cole Clark/Godin/Takamine/Taylor
Amps: BOSS Katana Head / Friedman Smallbox