Scooter13 wrote:Does anyone set up their band practice as if it was a stage, and face away from the drummer etc? Or is it just the semi-circle face inwards thing?
Yes, see above
Ours is in an industrial area also, it's great to be able to practise how you play live.
Scooter13 wrote:Does anyone set up their band practice as if it was a stage, and face away from the drummer etc? Or is it just the semi-circle face inwards thing?
thats one thing I always try to get guys to do but sadly most people like the idea of a circle..never made sense to me
If Less is More Then Just Think How Much More More would be
Scooter13 wrote:Does anyone set up their band practice as if it was a stage, and face away from the drummer etc? Or is it just the semi-circle face inwards thing?
thats one thing I always try to get guys to do but sadly most people like the idea of a circle..never made sense to me
I think it depends on what you're doing. The circle is great for familiarisation; new songs or new band members. But if you're going to play out, you need to do the other thing as well.
Scooter13 wrote:Does anyone set up their band practice as if it was a stage, and face away from the drummer etc? Or is it just the semi-circle face inwards thing?
thats one thing I always try to get guys to do but sadly most people like the idea of a circle..never made sense to me
I think it depends on what you're doing. The circle is great for familiarisation; new songs or new band members. But if you're going to play out, you need to do the other thing as well.
Yep. I love playing to a wall, shouting at the wall and encouraging it to join in and raise its hands. COME ON!
No idea about this practice thing though.
Its not enough that we succeed, we still need others to fail
willow13 wrote:
thats one thing I always try to get guys to do but sadly most people like the idea of a circle..never made sense to me
I think it depends on what you're doing. The circle is great for familiarisation; new songs or new band members. But if you're going to play out, you need to do the other thing as well.
Yep. I love playing to a wall, shouting at the wall and encouraging it to join in and raise its hands. COME ON!
If Less is More Then Just Think How Much More More would be
Slowy wrote:
I think it depends on what you're doing. The circle is great for familiarisation; new songs or new band members. But if you're going to play out, you need to do the other thing as well.
you can still do a circle....just have the amps as a backline and walk over to each other and talk
If Less is More Then Just Think How Much More More would be
fyrbyrd wrote:We practice in my mancave, which is pretty soundproof.
That is pretty epic!
1935 Martin D-45, 1942 Gibson Southern Jumbo,1950 Fender Broadcaster, 1954 Fender Strat, 1958 Gibson Moderne prototype, 1959 Gibson Les Paul Standard.
1958 Fender twin, 1965 Vox AC30, 1966 Marshall JTM 45, 1977 Dumble OD Special.
Big black garbage bag full of original Klon Centaurs and TS808s.
My home set up. just picked up the mesa 4x12. Had been looking for a 1x12 or something but whatever.
Another Mesa Cab and DC10 live at the band prac space.
Green Bastard wrote:My home set up. just picked up the mesa 4x12. Had been looking for a 1x12 or something but whatever.
Another Mesa Cab and DC10 live at the band prac space.
Talk a home recording wannabe through all the stuff on the desk. Ta.
I couldn't show-off my practice space at the mo. I'm set up in the corner of my garage. Sometimes I play along to the washing machine.