My 365 bass riffs in 365 days project
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Re: My 365 bass riffs in 365 days project
Don't let anyone stop you, but I don't know how useful it would be. Personally I think writing one complete song per week would give you more at the end of the year.
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Re: My 365 bass riffs in 365 days project
I agree with this.Timi wrote:Don't let anyone stop you, but I don't know how useful it would be. Personally I think writing one complete song per week would give you more at the end of the year.
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Re: My 365 bass riffs in 365 days project
Yes, that's possibly true. I think what I am finding most challenging is coming up with something coherent on a daily basis (not sure what I will do if I go on holidays, get sick or whatever).Zaulkin wrote:I agree with this.Timi wrote:Don't let anyone stop you, but I don't know how useful it would be. Personally I think writing one complete song per week would give you more at the end of the year.
If I was doing something on a weekly basis it wouldn't have that "put on the spot" thing.
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Re: My 365 bass riffs in 365 days project
LOL! no, if I had to write lyrics I'd still be on song #1 this time next year.
I have that unfortunate catch 22 where I feel lyrics should be about stuff I find important, and the stuff I find important is too personal to put into a song.
What I *want* to do, one day is decide what goes with the music (at the moment I'd like either a violinist, a keyboard player with a nice piano patch or a female poet/vocalist) and then I can let them go at it. Everything so far has a structure, so it'd mostly be a matter of stretching things out or repeating them.
I have that unfortunate catch 22 where I feel lyrics should be about stuff I find important, and the stuff I find important is too personal to put into a song.

What I *want* to do, one day is decide what goes with the music (at the moment I'd like either a violinist, a keyboard player with a nice piano patch or a female poet/vocalist) and then I can let them go at it. Everything so far has a structure, so it'd mostly be a matter of stretching things out or repeating them.
"Vince, have you ever tried playing an expensive bass?" - Polarbear.
"And isn't that the finest acoustic bass guitar feedback solo you've ever heard?" - Billy Moose.
My Bandcamp Page
Facebook
"And isn't that the finest acoustic bass guitar feedback solo you've ever heard?" - Billy Moose.
My Bandcamp Page
Re: My 365 bass riffs in 365 days project
I also struggle with lyrics (my standards are way higher than my abilities) but usually can't write songs I'm happy with unless I have vocals first. What I find useful is coming up with vocal melodies (la la) without lyrics and writing music around that. If I don't do that the result is often really busy and then super hard to fit vocals to later...
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Re: My 365 bass riffs in 365 days project
It's hard, innit? On many instruments you can write melodies that are too difficult for a vocalist to sing or simply sound too busy (imagine a melody that relies heavily on arpeggios, say) And then it might be hard or impossible to make lyrics scan with the melody.Timi wrote:What I find useful is coming up with vocal melodies (la la) without lyrics and writing music around that. If I don't do that the result is often really busy and then super hard to fit vocals to later...
On this thing I'm not bothering, but when I'm preparing stuff for a band I usually play something, leave 16 bars blank then do something then another blank 16 bars etc so the vocalist can do their stuff in the gaps.
"Vince, have you ever tried playing an expensive bass?" - Polarbear.
"And isn't that the finest acoustic bass guitar feedback solo you've ever heard?" - Billy Moose.
My Bandcamp Page
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"And isn't that the finest acoustic bass guitar feedback solo you've ever heard?" - Billy Moose.
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