Info on Fender Twins needed.
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- angry_young_poet
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- meble-kuchenne.warszawa.pl
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Trademe is mad with amps at the moment
My JMP
An 83 JCM
A JMT45
The Boogie DC-10 and a few others
The Fender Twin
The bassman (i bid)
The orange ad15 (i bid, i want)
JC160
That fender ultimate chorus is nice for a solid state. I tried one once
My JMP
An 83 JCM
A JMT45
The Boogie DC-10 and a few others
The Fender Twin
The bassman (i bid)
The orange ad15 (i bid, i want)
JC160
That fender ultimate chorus is nice for a solid state. I tried one once
Never put down to malice what can adequately be explained by stupidity
- Hot_Grits
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I'd keep away from the locally made silverface twins. Not a highpoint in the history of fender amps. Genuine overseas made silverface twins aren't bad, and can be 'blackfaced' and generally improved by a good technician.
the twin reverb 2 from the late 70s-early 80s is a bit of a sleeper. It was part of the series of fenders redesigned by Paul Rivera, and is a good amp.
The red knob 'evil' twins aren't actually that bad. I'm not a huge fan of the overdrive, but the clean is pretty good.
The reissue 65 twin is a nice amp. Not to my taste (I'm not really into blackface-era amps), but a classic clean tone.
As for the newish pro-tube series twin, I didn't really like the one I tried. I was very impressed with the concert from the same series, though that thing weighed even more was was pretty expensive for a production line amp.
the twin reverb 2 from the late 70s-early 80s is a bit of a sleeper. It was part of the series of fenders redesigned by Paul Rivera, and is a good amp.
The red knob 'evil' twins aren't actually that bad. I'm not a huge fan of the overdrive, but the clean is pretty good.
The reissue 65 twin is a nice amp. Not to my taste (I'm not really into blackface-era amps), but a classic clean tone.
As for the newish pro-tube series twin, I didn't really like the one I tried. I was very impressed with the concert from the same series, though that thing weighed even more was was pretty expensive for a production line amp.
jeremyb wrote: Is it true about the bum sex before marriage thing being ok?
- angry_young_poet
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- angry_young_poet
- Vintage Post Junkie
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- Joined: Thu Sep 18, 2003 12:04 am
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- Has liked: 14 times
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- Hot_Grits
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Cheap transformers, speakers and other componentry and less than exemplary wiring, from what I've gleaned over the years. Add this to the fact that even US silverface twins had undesirable circuit tweaks and economised componentry, and it adds up to a less-than stellar amp. That said, a decent technician can work wonders.
Spotting local vs imported silverface twins used to be something of a sport in local shops during years past. I remember when the very mention of an NZ assembled twin would make entire staff break out in 'who farted?' faces.
In my opinion, any 'desirability' such late silverface amps have is due to the worst and funniest aspect of the vintage craze that has been going on since the late 80s. For the longest time, you could get silverface amps and 70s strats, teles etc for next to nothing, as they were universally known to be the worst fender instruments ever made (Norlin-era gibsons, too).
Then, one day, Guitar Center in the US pretty much runs out of 60s-era stuff to buy up, and instructs staff to buy over the odds for 70s stuff. The result is the same stuff that started the whole vintage craze (because it was so crap) starts slowly rising in value. Now you see fashionable bands playing things like tele deluxes, which were thrown together (literally, you should see some of the neck joints) out of the fender spare parts bin, and you start seeing them go for US $3000 and up. That is ludicrous to the point of high comedy, especially considering the mexican 70s ris are far superior to the originals in almost every aspect.
there are local variations on this theme, too. Jansen Bassmans going for over 400 dollars? -it's one thing to get misty-eyed over old gear (and great to be proud of Kiwi stuff), but are these people deaf?
Oooops, bit of a rant.
Spotting local vs imported silverface twins used to be something of a sport in local shops during years past. I remember when the very mention of an NZ assembled twin would make entire staff break out in 'who farted?' faces.
In my opinion, any 'desirability' such late silverface amps have is due to the worst and funniest aspect of the vintage craze that has been going on since the late 80s. For the longest time, you could get silverface amps and 70s strats, teles etc for next to nothing, as they were universally known to be the worst fender instruments ever made (Norlin-era gibsons, too).
Then, one day, Guitar Center in the US pretty much runs out of 60s-era stuff to buy up, and instructs staff to buy over the odds for 70s stuff. The result is the same stuff that started the whole vintage craze (because it was so crap) starts slowly rising in value. Now you see fashionable bands playing things like tele deluxes, which were thrown together (literally, you should see some of the neck joints) out of the fender spare parts bin, and you start seeing them go for US $3000 and up. That is ludicrous to the point of high comedy, especially considering the mexican 70s ris are far superior to the originals in almost every aspect.
there are local variations on this theme, too. Jansen Bassmans going for over 400 dollars? -it's one thing to get misty-eyed over old gear (and great to be proud of Kiwi stuff), but are these people deaf?
Oooops, bit of a rant.
jeremyb wrote: Is it true about the bum sex before marriage thing being ok?
- Polar Bear
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I've got a Jansen Bassman, and I'm not deaf, it sounds fucking awesome. Smae goes for a Holden Wasp, got one, and it is magnificent, I'd pay a lot for the Holden, especially as I had it refinished.
Although I know what you mean, you see it a lot with 'vintage' guitars, those Harmony, Diplomat et als on Trademe goign for silly money dispite being horrific.
Although I know what you mean, you see it a lot with 'vintage' guitars, those Harmony, Diplomat et als on Trademe goign for silly money dispite being horrific.
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- Hot_Grits
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I'm sure you're not deaf, but let's face it, Dumbles they ain't. Those amps definitely have their place, though, and I'd get some if the price was right. My point is they are becoming overpriced as some notion of 'vintage' value is assigned to them, when the truth is we're talking about lower quality copies of some less sought after 70s era amps here.Polar Bear wrote:I've got a Jansen Bassman, and I'm not deaf, it sounds fucking awesome. Smae goes for a Holden Wasp, got one, and it is magnificent, I'd pay a lot for the Holden, especially as I had it refinished.
Although I know what you mean, you see it a lot with 'vintage' guitars, those Harmony, Diplomat et als on Trademe goign for silly money dispite being horrific.
I'd consider them good value at a low price, but once the prices climb up, that value factor drains away pretty quickly. Of course, the sheer lack of any point-to-point valve amps on the local market means these things will probably continue to rise in value.
jeremyb wrote: Is it true about the bum sex before marriage thing being ok?