None. They refer to the same electronic process, but 'overdrive' is more often used to refer to gentle levels of distortion , and 'distortion' usually means a lot of distortion.hamo wrote:Okay, so I'm really going to have to show my ignorance and ask the difference?DaNextSlash wrote:It's an overdrive pedal. Not a distortion.
Distortion!
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- Some Bozo
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that diagram is a bit misleading as the clipped waveforms are smaller than the original signal - certainly with an overdrive, the aim is to boost the signal so it's clipped more by the amplifier than anything else (though a certain amount of shaping/clipping is introduced in the pedal) so the waveform ought to be bigger than the original sinewave. Distortion is more generic clipping within the pedal so the clipped waveform would be more in keeping within the diagram, though it could be bigger or smaller. Bear in mind that either overdrive/distortion is never going to make a SS amp sound like a valve amp due to the harmonic content of the signal and clipping characteristics but they can be used to make a mediocre valve amp sound great
So, is that low alcohol or no alcohol at all? mmmm, no alcohol, do you want to try it? Noooooooooo.
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Damn. That was good.bluesgeek wrote:that diagram is a bit misleading as the clipped waveforms are smaller than the original signal - certainly with an overdrive, the aim is to boost the signal so it's clipped more by the amplifier than anything else (though a certain amount of shaping/clipping is introduced in the pedal) so the waveform ought to be bigger than the original sinewave. Distortion is more generic clipping within the pedal so the clipped waveform would be more in keeping within the diagram, though it could be bigger or smaller. Bear in mind that either overdrive/distortion is never going to make a SS amp sound like a valve amp due to the harmonic content of the signal and clipping characteristics but they can be used to make a mediocre valve amp sound great
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- Bg
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BG's right about the diagram, (although it was helpful to describe clipping categories) - if there is only one source waveform, then for it to saturate/distort/overdrive/fuzz ; the peaks of the waveform will hit the top of the graph (the headroom limit of the audio device/pedal etc) thereupon 'clipping' the top's off the sinewave - the more amplification the waveform is given the more severe the clipping until the wave gets soo much clipping it has no time for nice wiliee the worm sine-wave curves and turns into a square-wave... (he he fuzzie wuzzie time, alright!)
There are some nice graphs on this site:
http://www.bteaudio.com/articles/TSS/TSS.html
here is the waveform of my fuzzbox#3
- almost completely square-wave, albeit a touch asymetrically
There are some nice graphs on this site:
http://www.bteaudio.com/articles/TSS/TSS.html
here is the waveform of my fuzzbox#3
- almost completely square-wave, albeit a touch asymetrically
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- fuzzbox#3.jpg (80.92 KiB) Viewed 2106 times
- Bg
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- rocklander
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anyone ever tried the software based scopes? I've been too chicken to throw any signal for it into my slappertop
.__Some Bozo wrote:dogs represent the qualities we like to see in a friend, and cats represent the qualites we'd like to be able to get away with in ourselves
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stagepass
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- rocklander
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considering it's my teleprompter (the slapper) I really am too blouse to try it...
.__Some Bozo wrote:dogs represent the qualities we like to see in a friend, and cats represent the qualites we'd like to be able to get away with in ourselves
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stagepass
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