496-R and 500-T or SD JB and SD Jazz???
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- god himself
- Ashton
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496-R and 500-T or SD JB and SD Jazz???
or any combination of?
What do you guys think?
I play classic/hard rock/metal a bit of grunty distortion.
What do you guys think?
I play classic/hard rock/metal a bit of grunty distortion.
- sgt mukuzi
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dimazio super 2 in the neck, then u can use it
what did randy use? a distortion and a jazz nuff said
but i would go with the super two insted of the jazz
what did randy use? a distortion and a jazz nuff said
but i would go with the super two insted of the jazz
sambrowne wrote:I've included things like chord voicing’s and musical terminology for those that can understand it, while trying to keep it accessible enough for fans to enjoy as well.
You are a hypocritical, whining bitch. F*$k off and die Anthony.
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Is that Randy Rhoads we're talking about here? I don't think he used a Jazz, I'm pretty sure it was something more towards a PAF with a Super Distortion in the bridge.sgt mukuzi wrote:dimazio super 2 in the neck, then u can use it
what did randy use? a distortion and a jazz nuff said
but i would go with the super two insted of the jazz
And at any rate... I love Randy's playing but his tone was... not particularly impressive at the best of times. Very buzzy in my opinion.
- sgt mukuzi
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its often reported as a paf or 59 but from mr jackson himself in my old guitar player from the 80`s he states a jazz and a distortionslash-ed wrote:Is that Randy Rhoads we're talking about here? I don't think he used a Jazz, I'm pretty sure it was something more towards a PAF with a Super Distortion in the bridge.sgt mukuzi wrote:dimazio super 2 in the neck, then u can use it
what did randy use? a distortion and a jazz nuff said
but i would go with the super two insted of the jazz
And at any rate... I love Randy's playing but his tone was... not particularly impressive at the best of times. Very buzzy in my opinion.
in the concord obviously
he used a neck from a danelectro on the polker dot Vee
sambrowne wrote:I've included things like chord voicing’s and musical terminology for those that can understand it, while trying to keep it accessible enough for fans to enjoy as well.
You are a hypocritical, whining bitch. F*$k off and die Anthony.
- sgt mukuzi
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- ash
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Amen. If its a LP, the Custom 5 is great. It like a mid-heavy guitar best.Hot_Grits wrote:I'm not a fan of that Gibson setup, so I'd say the SDs. However I find the JB a bit hyped and honky sounding in the warmer sounding guitars I prefer, so I'd suggest a Custom 5 / Jazz combo.
http://ashcustomworks.com for custom built electric guitars hand made in new zealand
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- willow13
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sgt mukuzi wrote:slash-ed wrote:Is that Randy Rhoads we're talking about here? I don't think he used a Jazz, I'm pretty sure it was something more towards a PAF with a Super Distortion in the bridge.sgt mukuzi wrote:dimazio super 2 in the neck, then u can use it
what did randy use? a distortion and a jazz nuff said
but i would go with the super two insted of the jazz
And at any rate... I love Randy's playing but his tone was... not particularly impressive at the best of times. Very buzzy in my opinion.
its often reported as a paf or 59 but from mr jackson himself in my old guitar player from the 80`s he states a jazz and a distortion
in the concord obviously
he used a neck from a danelectro on the polker dot Vee
Randy had a duncan distortion and duncan jazz in his white jackson and a dimarzio distortion plus and dimarzio PAF in his polka dot V.....and the danelectro neck was used on the polka dot V (built by karl sandoval)
I'd go with what hotgrits and ash have said for your guitar......or as another option a bill lawrence 500xl in the bridge, you can get some real heavy tones and some classic rock tones
If Less is More Then Just Think How Much More More would be