slash-ed wrote:I think it's partially the perception that guitarists don't WANT innovation from Marshall, though. They want the same old JTM, same old Plexi, etc.
One of the best amps they've designed in the modern era (IMO) is the Vintage Modern, which is like a hotrodded JTM, but so much more. It's largely been ignored by the general populace because Marshall dared to introduce a dual gain structure which kids who set everything to 10 can't get a good sound out of...
Also, JVM is modern era too?
They've also got the digital preamp series (JMD) which isn't really catching on either (except as a bit of a practice amp) - cos nobody wants a modelling Marshall from Marshall!
That said, I know what you mean - but there have at least been some improvements and innovations.
It''s the reason why we now have Blackstar, which was started by a group of ex-Marshall employees frustrated by the reluctance of Marshall to try new things. Half the problem with Marshall is there certainly the perception that they can't innovate, they've tried to keep up with what's hot in the market a few times and failed miserably.
Give a man a fish and you feed him for a day. Teach a man to fish and he'll spend thousands on fishing equipment he'll use for a bit, then get bored and move onto something else.
BG wrote:Interchange fender for Gibson, Vox for Marshall etc....
I reckon we have just had this coversation not that long ago like yesterday, Fender and Marshall rock...remember mate?
No, different conversation and different meaning... Fender don't innovate either and neither do Vox. Completely different subject, did you read the rest of this thread?
Its not enough that we succeed, we still need others to fail
slash-ed wrote:I think it's partially the perception that guitarists don't WANT innovation from Marshall, though. They want the same old JTM, same old Plexi, etc.
One of the best amps they've designed in the modern era (IMO) is the Vintage Modern, which is like a hotrodded JTM, but so much more. It's largely been ignored by the general populace because Marshall dared to introduce a dual gain structure which kids who set everything to 10 can't get a good sound out of...
Also, JVM is modern era too?
They've also got the digital preamp series (JMD) which isn't really catching on either (except as a bit of a practice amp) - cos nobody wants a modelling Marshall from Marshall!
That said, I know what you mean - but there have at least been some improvements and innovations.
It''s the reason why we now have Blackstar, which was started by a group of ex-Marshall employees frustrated by the reluctance of Marshall to try new things. Half the problem with Marshall is there certainly the perception that they can't innovate, they've tried to keep up with what's hot in the market a few times and failed miserably.
That being said, I haven't played a Blackstar that has "wowed" me yet... so maybe Marshall is already as good as it gets? Without getting boutiquey.
I like the general tone of DSL's. For the right price (i.e . the half-grand mark) they can be good amps if looked after, but for the history of inherent issues, I would never have one as my main rig.
I used to be a Marshall fanboy, but to me, the last great innovative amp that I heard from them was the 30th anniversary head in the early 90's. Having owned a JCM 800, 900 and DSL 100, I can honestly say the early 80's 800 was the best of the bunch in terms of sound and quality. I find all their modern amps to be rather horribly fizzy sounding like ripped cardboard. Only one I've not disliked was the Vintage Modern.
They do seem to be stuck in a bit of a time warp, but I wager their stuff still sells to a different generation of players now.
BG wrote:Interchange fender for Gibson, Vox for Marshall etc....
Vox has at least tried out new things and some seem to have taken off. You just to go to a few gigs in Christchurch to see how many people are using the Vox Valvetronix gear.
But I guess it is the same thing. Everyone is after that classic AC 30 or AC 15 sound but the ones you get now (made in China?) just don't live up to what you hear from a vintage British AC3 or AC15.