Let There Be Rock: A '68 Marshall Super Lead In A Box! *** Sound Sample Just Added ***
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- FuzzMonkey
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Let There Be Rock: A '68 Marshall Super Lead In A Box! *** Sound Sample Just Added ***
I thought I'd share my prototype that is my head is the 'Sound Of Rock', the classic '68 Marshall Super Lead in pedal form.
Controls include (top row from left to right):
Blend: Simulates jumping the 'Normal' and 'High Treble' channels. Fully-counter clockwise lets you enjoy the bass response of the 'High Treble' channel. Great for tightening up higher gain settings. Fully clockwise; allows you to experience the full spectrum of bass frequencies. Ideal for fattening up those clear tones.
Loudness: Basically a pre-amp volume control, not much to explain here. Turning it to 11 is recommended.
Sizzle: A variable bright cap that sits across the 'Loudness' control. Turning it up increases the value of the bright cap adding 'bite' and affecting the gain structure of the 'Loudness' control making it very aggressive and quite spanky right out of the gate when first turning it up. Just like the real amp, the more you turn up the 'Loudness', the lesser the influence the bright cap has.
PPIMV: An active volume control that controls the overall output. Not only does it cut volume when turned down, but also boosts the output when turned up. Perfect for adding a little extra 'oomph' when needed.
The bottom row of controls from left to right are the traditional tone controls as found on the original amp. That being Presence, Treble, Middle, and Bass. There is also an internal trim pot used to adjust the high-end response of the pedal in order to dial it in for any given amp.
Just need to design the PCB for it now and think up a name of it.
Controls include (top row from left to right):
Blend: Simulates jumping the 'Normal' and 'High Treble' channels. Fully-counter clockwise lets you enjoy the bass response of the 'High Treble' channel. Great for tightening up higher gain settings. Fully clockwise; allows you to experience the full spectrum of bass frequencies. Ideal for fattening up those clear tones.
Loudness: Basically a pre-amp volume control, not much to explain here. Turning it to 11 is recommended.
Sizzle: A variable bright cap that sits across the 'Loudness' control. Turning it up increases the value of the bright cap adding 'bite' and affecting the gain structure of the 'Loudness' control making it very aggressive and quite spanky right out of the gate when first turning it up. Just like the real amp, the more you turn up the 'Loudness', the lesser the influence the bright cap has.
PPIMV: An active volume control that controls the overall output. Not only does it cut volume when turned down, but also boosts the output when turned up. Perfect for adding a little extra 'oomph' when needed.
The bottom row of controls from left to right are the traditional tone controls as found on the original amp. That being Presence, Treble, Middle, and Bass. There is also an internal trim pot used to adjust the high-end response of the pedal in order to dial it in for any given amp.
Just need to design the PCB for it now and think up a name of it.
Last edited by FuzzMonkey on Sat Nov 27, 2021 8:33 pm, edited 3 times in total.
- jeremyb
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
EPIC!!!
Slowy wrote: That's the problem; everything rewarding is just such hard work. Regret takes much less effort.
- Cdog
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
Sounds like fun! Is it jfet based? Looking forward to the demo
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
"Just like the real amp, the more you turn up the 'Loudness', the lesser the influence the bright cap has."
Oh you know them well. Must get out my plexi 50w for a hearing demolition revisit.
Oh you know them well. Must get out my plexi 50w for a hearing demolition revisit.
2024; I have explored the extent of the perimeter dome, there is no escape. I am become Morpheus
- FuzzMonkey
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
Mosfets actually. The initial drafts were jfet-based but I loved the ZVEX Box Of Rock so as an experiment I revamped the design to use mosfets instead and never went back. There is also an op-amp for the active low pass filter and the active volume control. A TLC2262, keeping with the mosfet theme.
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
Unless it's already taken I suspect you've already created the name in the title...
For no rational reason (I don't seem to be able to get on with pedals) I actually quite fancy the sound of one of these, looking forward to the demos
- FuzzMonkey
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
You might be right there. I'm hoping to get some audio clips done soon.
- Conway
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
Hi Blake. From a selling viewpoint, can you orient the pedal "portrait" to save pedalboard real estate, maybe use smaller knobs on the bottom row and it would be a shame to waste the footswitch space by not putting in a boost switch or secondary volume level - although that would require another knob somewhere... Cheers
- FuzzMonkey
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
Hi Conway. Thanks for the feedback; I really appreciate it.Conway wrote: ↑Wed Nov 24, 2021 10:53 am Hi Blake. From a selling viewpoint, can you orient the pedal "portrait" to save pedalboard real estate, maybe use smaller knobs on the bottom row and it would be a shame to waste the footswitch space by not putting in a boost switch or secondary volume level - although that would require another knob somewhere... Cheers
I probably should have mentioned it was basically built as a proof of concept without taking any of the practical things you mentioned into account and it is by no means a reflection of my vision for a finished product. I just wanted to get it off the breadboard and into an enclosure as quickly as possible.
I'm planning on having the top row of controls are larger knobs and the tone controls smaller trim-style pots as seen in the image below:
I'll probably make internal high-end trim control external as well. The boost that is currently built into the active volume control could earlier be incorporated into a foot-switchable boost. In terms of the enclosure, the goal is to fit it into a 1590BB with is the same size as a Wampler Plexi Drive Deluxe.
If you or anyone else has any other ideas or suggestions, I'm all ears.
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
Cool! Make the pedal blue and sparkly and I'll buy it!FuzzMonkey wrote: ↑Wed Nov 24, 2021 2:14 pmHi Conway. Thanks for the feedback; I really appreciate it.Conway wrote: ↑Wed Nov 24, 2021 10:53 am Hi Blake. From a selling viewpoint, can you orient the pedal "portrait" to save pedalboard real estate, maybe use smaller knobs on the bottom row and it would be a shame to waste the footswitch space by not putting in a boost switch or secondary volume level - although that would require another knob somewhere... Cheers
I probably should have mentioned it was basically built as a proof of concept without taking any of the practical things you mentioned into account and it is by no means a reflection of my vision for a finished product. I just wanted to get it off the breadboard and into an enclosure as quickly as possible.
I'm planning on having the top row of controls are larger knobs and the tone controls smaller trim-style pots as seen in the image below:
I'll probably make internal high-end trim control external as well. The boost that is currently built into the active volume control could earlier be incorporated into a foot-switchable boost. In terms of the enclosure, the goal is to fit it into a 1590BB with is the same size as a Wampler Plexi Drive Deluxe.
If you or anyone else has any other ideas or suggestions, I'm all ears.
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
Just name the shade!Conway wrote: ↑Wed Nov 24, 2021 3:01 pmCool! Make the pedal blue and sparkly and I'll buy it!FuzzMonkey wrote: ↑Wed Nov 24, 2021 2:14 pmHi Conway. Thanks for the feedback; I really appreciate it.Conway wrote: ↑Wed Nov 24, 2021 10:53 am Hi Blake. From a selling viewpoint, can you orient the pedal "portrait" to save pedalboard real estate, maybe use smaller knobs on the bottom row and it would be a shame to waste the footswitch space by not putting in a boost switch or secondary volume level - although that would require another knob somewhere... Cheers
I probably should have mentioned it was basically built as a proof of concept without taking any of the practical things you mentioned into account and it is by no means a reflection of my vision for a finished product. I just wanted to get it off the breadboard and into an enclosure as quickly as possible.
I'm planning on having the top row of controls are larger knobs and the tone controls smaller trim-style pots as seen in the image below:
I'll probably make internal high-end trim control external as well. The boost that is currently built into the active volume control could earlier be incorporated into a foot-switchable boost. In terms of the enclosure, the goal is to fit it into a 1590BB with is the same size as a Wampler Plexi Drive Deluxe.
If you or anyone else has any other ideas or suggestions, I'm all ears.
- FuzzMonkey
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box!
I made this short clip this evening to give people an idea of how the prototype currently sounds.
Enjoy!
Enjoy!
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box! *** Sound Sample Just Added ***
I think if it's gonna be a 1590BB enclosure, stay with the landscape format. Fits better with other pedals in terms of height, and from a design point of view, it would be hard to get all those knobs onto the PCB in a portrait pedal?
Oh, and use Marshall gold-top knobs. And wrap it in black tolex.
Oh, and use Marshall gold-top knobs. And wrap it in black tolex.
Nothing to see here.
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Re: Let There Be Rock: A '68 Marshall Super Lead In A Box! *** Sound Sample Just Added ***
Thanks for the feedback/comments. A plexiglass panel as well maybe? The Mk-2 Drive by Shin's Music out of Japan doesn't leave much doubt about what it is based on.Miza wrote: ↑Fri Nov 26, 2021 8:57 pm I think if it's gonna be a 1590BB enclosure, stay with the landscape format. Fits better with other pedals in terms of height, and from a design point of view, it would be hard to get all those knobs onto the PCB in a portrait pedal?
Oh, and use Marshall gold-top knobs. And wrap it in black tolex.
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